By Zachary R. Jones, Archivist
Title: Sealaska Heritage Institute Records
ID: MS/001
Primary Creator: Sealaska Heritage Institute
Extent: 0.0
Subjects: Haida Indians--History., Tlingit Indians--History., Tsimshian Indians--History.
This collection consists of the records of the Sealaska Heritage Institute spanning the period of 1980 to the present. This collection will continue to grow as materials will be added annually and as the backlog of materials is processed. Processed papers include SHI Board of Trustee meeting papers, various committee meeting minutes, annual reports, and Celebration programs, correspondence, culture department papers, language department papers, papers from the non-active Na Kahida Theater, and records from SHI’s Juried Art Show. The collection has been arranged into Series (and in some cases Sub-Series), as shown below. Series 2 to 4 and 6 are open to the public for research purposes, remaining Series are closed to the public.
Series 1: Administrative Records
Sub-Series 1: Board of Trustee’s Papers
Sub-Series 2: SHI Reports, Minutes, and Papers
Sub-Series 3: Financial Summaries
Sub-Series 4: Celebration Papers
Sub-Series 5: SHI Correspondence
Sub-Series 6: Council of Traditional Scholars
Series 2: Language Department
Series 3: Cultural Department
Series 4: Education Department
Series 5: Scholarship Department
Series 6: Na Kahida Theater Records
Series 7: Juried Art Show Records
Series 8: Architectural Records for SHI’s Proposed Building
Series 9: NAGPRA Files
Sub-Series 1: Museum Files
Sub-Series 2: Museum Binders & Recordings
Sub-Series 3: Object Genre & Community Binders, Claims, & Working Files
Note: Many of the recordings generated by SHI are cataloged as MC 32: SHI Operational Recordings Collection.
The Sealaska Heritage Institute (SHI) is a regional Native non-profit organization founded for the Tlingit, Haida and Tsimshian people of Southeast Alaska. SHI was established in 1981 by Sealaska Corp., a for-profit company formed under the Alaska Native Claims Settlement Act (ANCSA). SHI, formerly Sealaska Heritage Foundation, administers Sealaska Corp.'s cultural and educational programs.
SHI was conceived by Clan Leaders, Traditional Scholars and Elders at the first Sealaska Elders Conference in 1980. During that meeting, the Elders likened Native culture to a blanket. The late George Davis (Kichnáalx—Lk’aanaaw) of Angoon, spoke these memorable words: “We don’t want what you did here to only echo in the air, how our grandfathers used to do things… Yes. You have unwrapped it for us. That is why we will open again this container of wisdom left in our care.” These wise traditional leaders told the new leaders that their hands were growing weary of holding onto the metaphorical blanket, this "container of wisdom." They said they were transferring this responsibility to the Corporation. In response to this directive, Sealaska Corporation created its non-profit arm, Sealaska Heritage Institute, to administer cultural and educational programs for the Tlingit, Haida and Tsimshian.
During its first decade of operation, under the leadership of David Katzeek, SHI began to administer its Scholarship Program from funds set aside by Sealaska Corporation for this purpose. The second major focus at that time was the documentation of oral traditions, a project led by Tlingit scholar Dr. Nora Marks Dauenhauer and her husband, Dr. Richard Dauenhauer. Over nearly a 20-year period, these efforts led to several major publications by the Institute of the Dauenhauer’s work, including: “Because We Cherish You…” Sealaska Elders Speak to the Future, in 1981; Haa Shuká, Our Ancestors, Volume I of our Tlingit Oral Narratives (1987); Haa Tuwunáagu Yís: for Healing our Spirit. Vol. 2, Tlingit Oral Narratives. (1990); the Third Edition of Beginning Tlingit in 1991; Haa Kusteeyí, Our Culture: Tlingit Life Stories (1994); and Aan Aduspelled X’úx’, Tlingit Spelling Book in 1999. A number of these publications were co-published by the Institute and University of Washington Press. During this period, the Institute also created Naa Kahídi Theater, which won national acclaim for its dramatic presentation of Native legends.
One year after SHI was founded the Institute sponsored the first United Tlingit, Haida, and Tsimshian Traditional Celebration, held in Juneau. Celebration '82 was so popular that our Board of Trustees decided the festival should become a biennial event. New dance groups began to form in response to Celebration, and every other year, the festival grew. Today, nearly every community in Southeast as well as Anchorage, the Seattle area, Hawaii and Canada, are represented by roughly two-thousand dancers in nearly fifty dance groups. During Celebration, workshops on various aspects of traditional culture and history also occur. Because SHI is the only major region-wide organization dedicated to cultural preservation, its Board of Trustees has mandated that Celebration be dedicated solely to honoring our traditional culture.
More recently, while continuing to honor the Institute's mission statement, “To perpetuate the Tlingit, Haida, and Tsimshian cultures,” the Trustees in 1997 adopted language restoration as the foremost priority of the Institute. Few funds were available initially for this objective, but the Institute launched an aggressive fund-raising campaign, and today, SHI sponsors and supports numerous language and culture programs across Southeast Alaska. The Institute also sponsors archival projects, historical research, and new publications. Since SHI’s founding, it has had four presidents; David Katzeek (1980-1991), Dennis Demmert (1992-1996), Ted Wright (1996-1998), and Rosita Worl (1998-present).
Repository: Sealaska Heritage Institute Archives
Access Restrictions: Restrictions: Certain portions of this collection are closed to the public. Series 2-3, and 6 are generally open to the public. Consult the archivist for further details.
Acquisition Method: The materials in the collection were transferred to SHI archives over the period of 1980 to the present.
Fd 1: “Guide: How to Make a Custom Pendleton Blanket,” produced by SHI in August 2000, part 1.
Fd 2: “Guide: How to Make a Custom Pendleton Blanket,” produced by SHI in August 2000, part 2.
Fd 3: Hoonah Clan Conference, speech, 2000.
Fd 4: Kaagwaantaan Clan History of Klukwan, court deposition by Loni Strong Hotch, 2000.
Fd 5: Dakl’aweidi Clan History of Klukwan, court deposition by Shaakakooni Judson L. Brown, 2000.
Fd 6: “Kosciusuko Island Rock Art,” 2005, w/ CD.
Fd 7: “Rock Art: Pictographs & Petroglyphs in Southeast Alaska,” circa 2003.
Fd 8: “Ya shook/ya-dli-shood: A compilation of Native humor, jokes, and ditties, etc,” by Kashagoon K’neegee, Klukwan ANB, Camp 8, 1988.
Fd 9: Tlingit story; “Why Raven is Black,” by Lou Jacquot, undated.
Fd 10: “Tlingit Tribe, Clan, and House Group Names,” compiled by Jeff Lear, ANLC, undated draft.
Fd 11: “Tlingit and Haida Ceremonial Hats,” arts book draft by Frances Laskey Paul, 1992. This draft was submitted to SHI to obtain funding to aid its publication, but was never published. Letter by F. L. Paul included.
Fd 12: USS Alaska Totem Pole Project
Fd 1: “Raven Stories,” 1998. Part 1 of 2. This booklet contains a few hundred pages of traditional Tlingit stories on the Raven with both the Tlingit and English translations, as complied for an SHI cultural project. These stories appear not to have been published. Orators include George Davis, Frank Dick, Austin Hammond, Frank Italio, Susie James, Charlie Joseph, Emma Marks, Willie Marks, Katherine Mills, Robert Zuboff, and Esther Shea.
Fd 2: “Raven Stories,” 1998. Part 2 of 2.
Fd 3: “The Woman Who Married the Bear,” by Merry Ellefon as advised by Ernestine Hayes, undated. Play based on oral stories told by Tlingit storytellers. Approximately 50 pages.
Fd 4: Research file on the Shangukeidí, by Rhonda Mann, circa 1985.
Fd 5: Genealogy file on the Shangukeidí, by Rhonda Mann, circa 1985.
Fd 6: Songs file on the Shangukeidí, by Rhonda Mann, collected for Celebration 1984.
Fd 7: “Bear Husband,” by Frank Dick, Sr., 1985. Consists of the “Bear Husband” story with edited drafts in English and Tlingit.
Fd 8: “Founders of the Alaska Native Brotherhood,” by Richard & Nora Marks Dauenhauer, 1993. [2 copies] This essay includes biographical information on early founders of ANB.
Fd 9: Four student oral history interviews and assignments produced in conjunction with SHI and UAS professor Dan Monteith for the Summer Student Ethnographic Research Program 2002. Essay titles include; “Oral History of …. And Kosciuko Island Kayaks and Rock Art Passport in Time Project,” “Hearing Native Alaskan Voices: Native Student Boarding School Experiences During the mid-1900s,” “The House that Drifted Ashore,” and “Spruce Root Harvest and Production of the Lingit.” [Names of authors and participants is confidential]
Fd 1: File: SHI’s work with Wrangell community to restore Wrangell totems during 1982-1984. File includes correspondence, reports, interviews, clippings, and small publications. [part 1]
Fd 2: File: SHI’s work with Wrangell community to restore Wrangell totems during 1982-1984. File includes correspondence, reports, interviews, clippings, and small publications. [part 2]
Fd 3: Empty.
Fd 4: Theatrical play, “Salmon Boy,” by Janet Allard, based on the Tlingit oral story Aakw’taatseen (Alive in Eddy) or Shanyaak’utlaax (Moldy End) as told by Deikeenaak’w and Kadishan, transcribed by John Swanton.
Fd 5: Nora Dauenhauer, “Tlingit Oratory,” draft, 1984.
Fd 6: Nora Dauenhauer, Henry Davis, and Fred White, “Raven Stories; as told by various tradition bearers,” draft, 1984. [two copies]
Fd 7: Transcription of “Sun Children Story # 1,” transcribed by Anna and David Katzeek, 8/9/2001, 2 of 2. People talking include Anna and David Katzeek, Rosita Worl, and Charles Smythe.
Fd 8: Austin Hammond, Sr. recorded June 18-22, 1993 at the Chilkoot Culture and Raven House, Haines, Alaska. In preparation for Mr. Hammond and members of the Naa Kahida Theater Company to attend the Whitehorse storytellers conference.
Fd 1: “SENSC Native Place Name Project, Documents, Maps and CD-Roms as of June 2003: Tom Thornton. Communities included: Sitka, Skagway, Wrangell, Petersburg, Hydaburg, Juneau/Douglas.” Part 1 of 2.
Fd 2: “SENSC Native Place Name Project, Documents, Maps and CD-Roms as of June 2003: Tom Thornton. Communities included: Angoon, Kake, Craig, Klawock, Yakutat, Hoonah.” Part 2 of 2.
Fd 3: Two papers by Richard Dauenhauer: 1) “Ioann Veniaminov as Linguist and Folklorist: Tlingit Language and Folklore,” paper presented at conference at UAF in 1997; 2) “”The Sitka Interpreter Dimitrii.” The Life of Dmitrii Stepanovich Larionov (1805-1847), Tlingit Interpreter for the Russian American Company and Notes on other Tlingit Interpreters,” working draft, 1998.
Fd 4: Rosita Worl, “Indian Point: A Sacred Site Note for Sale,” unpublished paper concerning the proposed NOAA facility construction on Indian Point, 1997. [two copies]
Fd 1: Proposals and prospectuses of the Naa Kahida Theater, 1980s.
Fd 2: Programs concerning “Fires on the Water,” undated.
Fd 3: Papers concerning “The Power of Ancient Voices,” undated.
Fd 4: Papers concerning “The Enchantment of Spirit,” undated.
Fd 5: Various tracts, brochures, and publications about Naa Kahida Theater.
Fd 6: Newspapers clippings about Naa Kahida Theater.
Fd 7: Broadside poster of Naa Kahida Theater production “Deishu”, undated.
Fd 8: Oversized thank-you card to the Naa Kahida Theater from Ms. Kennedy’s 1st grade Huachuca Mt. School, undated.
Fd 9: Keet Shagoon papers, 1989.
Fd 10: Keet Shagoon papers, 1989.
Fd 11: File on “Yupik Spirit in All Things,” 1988.
Fd 12: Cannibal Giant papers, 1990.
Fd 13: Correspondence.
Fd 14: Programs for “The Sea Monster,” circa 1990.
Fd 1: Perseverance Theater file, 1990.
Fd 2: Various scripts, 1980s-1990s.
Fd 3: ‘Stories’ file, 1980s-1990s.
Fd 4: ‘Stories’ file, 1980s-1990s.
Fd 5: Fires on the Water I papers.
Fd 6: Fires on the Water II papers, 1993.
Fd 7: Fires on the Water III papers, 1994.
Fd 8: Fires on the Water IV papers, 1995.
Fd 9: Transcript of “Austin Hammond, Sr. recorded June 18-22, 1993. Recorded at Chilkoot Culture and Raven House, Haines, AK, in preparation for Mr. Hammond and members of the Naa Kahida Theater Company to attend the Whitehorse, Yukon storytellers conference.” 100 pp.
